DAREN A.C. CAROLLO (Exeucitve Director)
DANIEL THOMAS (Executive Director)
DAVE DOBRUSKY (Resident Music Director)
Dave Dobrusky has long been a 42nd Street Moon mainstay, delighting audiences with his instinctive and intuitive feel for the music of the golden age of Broadway. Dave celebrated his 80th production as Music Director at 42nd Street Moon last season with Carnival! His past favorites include Zorba, Three Sisters, Strike up the Band, Babes in Arms, Call Me Madam, High Spirits, Finian's Rainbow, Paint Your Wagon (Bay Area Theatre Critics Circle Award), and Leave It to Me! (recorded). Other Bay Area credits include Road Show; Marry Me a Little; Tick, Tick, Boom! (Theatre Rhino); I Love You, You're Perfect, Now Change; The Full Monty (both for Ray of Light); Camelot; My Fair Lady; Man of La Mancha (BATCC Award); Putting It Together (all for SF Playhouse); and Connie Champagne as Judy Garland at the Rrazz Room. Dave has appeared with Emily Skinner, Cady Huffman, Karen Ziemba, Rebecca Luker, Donna McKechnie, Noah Racey, Faith Prince, Andrea McArdle, and the late Celeste Holm, all at 42nd Street Moon. Dave holds a Bachelor of Music degree from Oberlin Conservatory.
DYAN McBRIDE (Director of Education)
Dyan McBride is an actor, director, singer, and teacher. As an actress and director she has worked with such companies as 42nd Street Moon, Ray of Light, Marin Theatre Company, Solano College Theatre, Laguna Playhouse, Golden State Productions, New Conservatory Theatre Center, Pacific Alliance Theatre Company, Actors Theatre of Sonoma, Broadway By the Bay, Willows, Napa Rep, Mondavi Center, Utah Musical Theatre, and Performance Riverside to name a few. As a live performer, she has had the opportunity to perform all over the United States and in Europe.
She currently serves on the acting/musical theatre faculty at NCTC, Solano College, and 42nd Street Moon, where she has been a company member for 15 years. She has also taught at Live Oak School, U.C. Davis, The Academy of Art, and coaches privately as well.
In the world of TV and film, she has done work for Comcast Sports Net, Yahoo! Progressive Auto Insurance, Nintendo, and many short films and web-based projects. Her recent film The Sheep and the Ranch Hand has played in film festivals all over the world. Her current web project Lien on Me launched in May of 2010. She is represented by Boom Models and Talent in San Francisco. Dyan has her BA from California State University at Fullerton (musical theatre) and her MFA from U.C. Davis (acting). She is a member of the Screen Actors Guild, Actors Equity Association, and The American Federation of Television and Radio Artists.
GREG MACKELLAN (Founding Artistic Director)
Greg MacKellan’s career in musical theatre extends back more than 30 years. His producing credits in New York and Los Angeles include The Baker’s Wife, a musical on which he worked extensively with Stephen Schwartz and Joseph Stein.
A graduate of the Musical Theatre Program at UCLA, he is also a musical theatre historian of note who has worked as a consultant to performers like Andrea Marcovicci and Paige O’Hara. Greg was responsible for the acclaimed six-CD Shadowland series of recordings devoted to lesser-known songs by classic American musical theatre songwriters; performers he directed on these CDs include Judy Kaye, Rebecca Luker, Jason Graae, Patricia Morison, Susan Watson, Diana Canova, and Sheldon Harnick.
Greg was hired by the Yip Harburg Foundation in 1994 to provide a revised script for the forgotten Harburg/Styne musical Darling of the Day, and performed similar duties for 42nd Street Moon’s 2004 NEA-sponsored restoration of the Harburg/Arlen Hooray for What! Also in 2004, Greg’s award-winning revision of the Cole Porter musical Out of This World was presented to critical acclaim at the Chichester Festival in England, and has since been produced in Seattle, Los Angeles, and San Francisco. During his 17 years as Artistic Director of 42nd Street Moon, Greg has directed more than 50 musicals, adapting the scripts for many of them.
He has written and directed more than 15 revues for various Bay Area groups, including I’d Like to Hide It, which explored gay subtext in the lyrics of Cole Porter and Lorenz Hart. He has produced three CDs for Moon - original cast albums of Porter’s Something for the Boys and Leave It to Me!, and a Jerome Kern anthology, The First Rose of Summer. The 2004 Theatre Mania Guide to Musical Theatre recordings lists Leave It To Me! as one of the top show CDs of 2002, and singles out the work of MacKellan and Dave Dobrusky for special acclaim.
STEPHANIE RHOADS (Founding Producing Director)
Stephanie Rhoads plays roles on and off stage for 42nd Street Moon. Offstage she works with Greg MacKellan to shape each of Moon’s Seasons. Onstage Stephanie most recently graced our stage as Madame La Comtesse Diane De Vobrillac in Ben Franklin in Paris. She also includes among her favorite Moon roles: Helen Vance in our smash production of Out of This World, Adriana in Boys From Syracuse, Ninotchka in Silk Stockings, Venus in One Touch of…, Elvira in High Spirits, Thea in Fiorello!, and Adeline in Sweet Adeline.
She is the recipient of the Dean Goodman Choice Awards for Hello Dolly! with Mountain Play and Out of This World (2000) with 42nd Street Moon, as well as Bay Area Theatre Critics Circle Awards. She has appeared with many regional companies including American Musical Theatre of San Jose, TheatreWorks, Broadway By the Bay, Beach Blanket Babylon, Woodminster Musicals, and more.
LEANNA KEYES (Production Manager)
Leanna Keyes is a backstage triple threat, working as a production manager, theater technician, and Equity stage manager. Having worn almost every hat in theatre at one point or another (most likely after sewing half of them), she has had the good fortune to have worked for many Bay Area theatre organizations, including Broadway by the Bay, Peninsula Ballet Theatre, Playwrights Foundation, Performance Design Acronym, the Stanford Arts Institute, Stanford Repertory Theater, Flynn Spirit Productions, and now, 42nd Street Moon.
A graduate of Stanford University, she has produced several of her plays as independent projects, including God Herself Could Not Sink This Ship, Legal-Tender Loving Care, and Kilogram. Her work earned her the Sharifa Omade Edoga Prize for Work Involving Social Issues.